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Showing posts with label 11560. Show all posts
Showing posts with label 11560. Show all posts

Monday, May 27, 2013

Monday Morning in Locust Valley: Locust Valley Memorial Day Parade


This Memorial Day at 9 AM, we were standing by the Boys and Girls Club on Forest Avenue in Locust Valley watching the North Shore town's annual Memorial Day parade.


Saturday, June 9, 2012

Saturday Morning in Locust Valley: Breakfast at Bailey Arboretum

After five months in the Sonoran Desert and Los Angeles Basin, it was great on this cloudy, drizzly, cool morning to immerse ourselves in the verdant, luscious woods of Bailey Arboretum, which we walked to from our temporary perch in Locust Valley. We had a nice morning walking the trails and the gardens of Bailey Arboretum.

Tuesday, June 3, 1997

Richard Grayson letter in The New York Times: "Gay Couples' Rights"


Richard Grayson has a letter in the New York Times today (Tuesday, June 3 1997), "Gay Couples' Rights," responding to an op-ed column by Alex Joseph.

Friday, October 20, 1978

Long Island Poetry Collective Newsletter reviews Richard Grayson's DISJOINTED FICTIONS


The Long Island Poetry Collective Newsletter reviews Richard Grayson's Disjointed Fictions in its current (October 1978) issue:

Disjointed Fictions. Stories by Richard Grayson ($3.00 from X, A Journal of the Arts. PO Box 2648, Harrisburg, PA 17105)

So what’s a person who mostly reads poetry and non-fiction doing with a book of stories? Fact is that lots of modern fiction is innovative, defiant of form, and often less self-conscious, more daring than most poetry we read. We see an evolving open form, assimilating poetic advances and rapidly transcending category. Read aloud, it even sounds great. In Disjointed Fictions, things fall into place . . . or seem to . . . or maybe not. Richard Grayson is frequently witty, nearly always irreverent; we catch him in the midst of talking to himself, trying to put it all together, commenting on the process of writing, managing to skirt self-indulgence as he steps and out of his stories. He tries for scope and simultaneity with mixed results, though; his connections are often tenuous, the parts sometimes refuse to link. Maybe it’s intended; the book’s title implies as much. Grayson is most effective when he works in direct forms. “Progress” is a bizarre but understated tale reminiscent of “The Twilight Zone” and works very well for me. “The Facts Are Always Friendly” is ingenious, successfully developing characters through news briefs covering all the days of Winter 1972-73. Disjointed Fictions appears as Issue #5 of X, A Journal of the Arts, and is perfectbound with endpapers. Unfortunately the entire thirty-eight pages of text are set in an italic typewriter face, without leading, a poor design choice resulting in margin legibility. The $3.00 price tag seems steep and is sure to discourage many who would enjoy the book.

– George William Fisher