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Showing posts with label Florida. Show all posts
Showing posts with label Florida. Show all posts

Sunday, December 26, 2010

"MIAMI BEACH CONVENTION: A 21-Year-Old Looks at the Democrats, 1972" by Richard Grayson now available at Amazon Kindle Store


Richard Grayson's MIAMI BEACH CONVENTION: A 21-Year-Old Looks at the Democrats, 1972 is now available at Amazon's Kindle Store for 99¢ from its publisher, Art Pants Company.

Here is the promo material for the 45-page $5.99 paperback edition from Superstition Mountain Press:
It's July 1972, four years after the tumultuous and riot-torn Democratic National Convention in Chicago. Republican Richard Nixon is seeking re-election, and a different kind of Democratic party - spearheaded by young people, feminists and antiwar activists - meets in Miami Beach to nominate the populist peace candidate George McGovern.

Acclaimed author and diarist Richard Grayson (The Brooklyn Diaries, With Hitler in New York, I Brake for Delmore Schwartz) is 21, and he and three other college students from Brooklyn and Queens have trekked to the convention after they'd gotten Mikey, one of the group, elected as an official delegate. Grayson's diary entries, at once naive and knowing, provide a fascinating look at this seminal moment in American politics.

Friday, February 26, 2010

MOON OVER MOLDOVA by Richard Grayson now available at Amazon Kindle Store


Richard Grayson's Moon Over Moldova is now available at Amazon's Kindle Store for 99¢.

Here is the promo material for the 103-page $6.99 paperback edition from Art Pants Company:

MOON OVER MOLDOVA presents three stories by acclaimed writer Richard Grayson. In "Moon Over Moldova," while a Southern college town is rocked by a gay rights referendum, a grad student finds even a "backward" former Soviet republic a refuge from personal and political turmoil. In "Boys Club," a queercore band's bassist has a crush on the group's insufferably punker-than-thou lead singer. And "Anything But Sympathy" artfully conflates stories about elderly nursing home residents; the real-life power broker and "uncrowned king of Florida," banker Ed Hall; young actors and others dying too young of AIDS; and a thirtysomething teacher's affair with a teenage boy who seems to know a lot more than he does. Publishers Weekly called Richard Grayson's uniquely quirky narratives "lighter and funnier than most gay fiction" and The Sun-Sentinel noted: "Although memorial services for young men seem commonplace in Grayson's fiction, the stories are not tragedies. They are funny, intelligently written and original."

Friday, May 23, 2008

Dumbo Books Addresses Concerns and Rumors About WHO WILL KISS THE PIG?: SEX STORIES FOR TEENS in the Florida Jewish Community


It has come to our attention that nasty rumors are being spread by email to members of the Florida Jewish community about Richard Grayson’s new book, Who Will Kiss the Pig?: Sex Stories for Teens.

More specifically, we have heard that Florida Jews are denouncing the book and its author for being very anti-Semitic and for portraying teenage Jews, in particular those in South Florida, as extremely promiscuous.

These rumors are lies. We don’t know how they started. Our book is not very anti-Semitic.

Yes, it is true that Richard Grayson’s first story collection, published in 1979, was called With Hitler in New York and had a title story in which the German dictator visits Brooklyn and has a lot of fun with his young Jewish friends listening to dirty stories on the Brighton Beach boardwalk, smoking marijuana on a Belt Parkway overpass, and eating Chinese food on Montague Street in the Heights.

But the Judaic studies scholar Alvin H. Rosenfeld, in his 1984 book Imagining Hitler (Indiana University Press) discussed “With Hitler in New York” in detail, as did his son Gavriel D Rosenfeld, another scholar, in his 2005 book The World Hitler Never Made (Cambridge University Press) and both professors explained that while the story might be offensive, no disrespect to Jews was intended.

Also, some South Florida rabbis have noted that Dumbo Books’ release of Richard Grayson’s Highly Irregular Stories contained a reprint of his infamous 1982 chapbook, Eating at Arby’s: The South Florida Stories that has been called anti-Semitic in its portrayal of elderly residents of Century Village, snowbirds, “condo commandos,” and diners at the Rascal House “early bird special.”

We can only reply that the book was favorably reviewed by a Jewish Miami University (of Ohio) professor, Mark Bernheim, in Israel Today and that a Jewish novelist, Ivan Gold, writing in The New York Times Book Review, said Eating at Arby’s: The South Florida Stories was “equidistant between Hemingway and Dick and Jane.” Does that sound anti-Semitic to you?

Richard Grayson did in fact have a bris on June 11, 1951 at Beth-El (now Brookdale) Hospital in Brownsville; a bar mitzvah ceremony on May 23, 1964 at the Flatbush Park Jewish Center (a siddur presented by the temple’s Sisterhood will prove this); and a bar mitzvah reception the following Saturday, May 30, 1964 at the Deauville Beach Club (now United Artists Sheepshead Bay Theatre) on beautiful Gerritsen Beach, with performances by the Israeli team of Daniel & Dmitri and also Joe Vega & the Cha Cha Aces. The orchestra was led by Richard's great-great-uncle Dave Tarras, the famous klezmer clarinetist. And there was plenty of stuffed derma and a Viennese table!

As far as Jew-on-Jew teenage sex in Who Will Kiss the Pig?, yes, we admit there is plenty of it. But there is a lot of it in real life too, and Richard Grayson knows this. During the 2005-2006 school year, he taught English at the Jess Schwartz Jewish Community High School in Phoenix and observed a lot of sexy behavior on the part of students. Fortunately, this problem was dealt with by the school’s shiksa headmistress, noted educator Dr. Janice Johnson.

And in fact, one of the stories in the book notes that many Jewish teenagers do NOT partake in sexual activity. On page 122, in the story “Talking to a Stranger,” there is this passage:
Joshua and I are at the UN, trying to film a demonstration protesting an Arab massacre of Israeli schoolchildren. Joshua has to hand in a final for his Cinematography course and figures the UN demonstration might be interesting.

There are a lot of yarmulkes and girls wearing stockings. Perhaps Sidney is somewhere in the crowd.

Joshua says all Jewish girls are ugly. He says it softly because there are Jewish girls crowding us from all sides. He leans over to me and whispers, “If these were WASPs, man, we’d be having a fucking orgy.”

So there.

Finally, there is the matter of pig-kissing in the title story and in one other one. It is true that although that the pigs involved are not kosher and the guys who want to or are forced to kiss them are Jewish, the depiction was not meant to offend anyone who follows the kosher dietary laws. The fact that on page 1 a character named Yassir is the one making the Jewish guy kiss the pig, is in no way a criticism of Zionism. After all, on page 17, the mother of the girl that Jonathan has gotten pregnant makes it quite clear to him that Muslims also find pigs unclean.

Any rabbi or Jewish official wanting confirmation can write us at dumbobooks@yahoo.com and we will supply you with a PDF of Who Will Kiss the Pig?: Sex Stories for Teens.

Finally, we would like to acknowledge that not all South Florida rabbis have denounced Dumbo Books and Richard Grayson. Some South Florida rabbis are great, like Richard’s first cousin once removed, Rabbi Donald Crain, now in Boca in retirement from spiritual leadership of his congregation in Utica, New York. (Rabbi Crain is the son of Richard’s great-uncle Irving Cohen, brother to his Grandma Sylvia, who was a noted South Florida Jewish celebrity in her time.)

So now that we’ve cleared it up that our new book of teen sex stories is not a “shonda” or “bad for the Jews,” we envision great support for Dumbo Books in the Florida Jewish community! Isn’t life wonderful!

Saturday, February 9, 2008

Interview with Richard Grayson, Author of WRITE-IN, at Florida Book Revi

Tom DeMarchi has reviewed Richard Grayson's Write-In: Diary of a Congressional Candidate in Florida’s Fourth Congressional District and interviewed Richard at The Florida Book Review:

In 2004, fiction writer Richard Grayson campaigned as the Democratic write-in candidate against incumbent Republican Ander Crenshaw for Florida’s 4th Congressional District, a move roughly akin to Harvey Fierstein crank calling Evander Holyfield for the Heavyweight Boxing Title. (In the end, Crenshaw received 255,448 votes; Grayson received 1,167.) Grayson’s hilarious, informative account of his 2004 campaign first appeared as a blog on McSweeneys.net.

In 2007, Grayson compiled his blog entries and published them as Write-In: Diary of a Congressional Candidate in Florida’s Fourth Congressional District, through his own press, Dumbo Books. He plans on publishing books by other authors later this year. Write-In might be a collected blog, but it unfolds like much of Grayson’s fiction. On display we find suspense, humor, self-mockery, absurdity, telling details, deep knowledge of the subject matter, and a narrative voice informed by humility, fierce intelligence, and compassion. It makes you wonder what Grayson could accomplish if he took his campaign more seriously. Grayson has campaigned for Congressional office multiple times. A lifelong political activist, he’s currently running as the Democrat against incumbent Republican Jeff Flake for Arizona’s 6th Congressional District.

Florida Book Review: Are you a fiction writer who campaigns or a candidate who writes fiction?

Richard Grayson: Yes.

FBR: Throughout Write-In you admit that your chances of winning are slim and none. Your chances against Flake are equally bad. Why invest so much time, money and energy toward running in unwinnable races?

RG: For the same reason I write books of short stories that are unwinnable in the marketplace, I guess. Because I enjoy doing it.

But I really believe that contested elections are important in a democracy. One of the reasons we tend to have a partisan war with hysterics on both sides in Congress is that the vast majority of districts are safe seats. I testified at the state commission that did the redistricting in 1991, following the 1990 census, when they met in Gainesville. Karen Thurman, the current Democratic party state chair, was on that commission, and surprise, one of the districts created was one that centered around her state senate district and she got elected to Congress (a seat she lost after the 2000 redistricting).

The Ocala Star-Banner, Orlando Sentinel and Gainesville Sun ran stories on my testimony. I showed some drawings I'd made of my proposed districts. For the Orlando area, I'd created a Congressional district in the shape of Mickey Mouse ears. For Brevard County and the Space Coast, my district was shaped like a rocket ship. I had a gator-shaped district centered around Gainesville and a palm-tree-shaped district in Palm Beach County.

I was in my first semester of law school, and one of the members of the redistricting commission, former House speaker Jon Mills, director of UF Law's Center for Governmental Responsibility, asked for my drawings so that they could have them for the official record. Three years later, Jon became my boss when I went to work as a staff attorney at CGR, but he made sure he kept me out of any work we did on the electoral process!

John Anderson, whom I voted for in the November 1980 election for President—the only time since 1972 I didn't vote for a Democrat—and whom I mention in my book, is now a Nova Southeastern law professor whom I got to know during my four years as an administrator at the law school John has studied the issue with colleagues, and they've done some brilliant scholarly writing on the problem of the gerrymandering that has turned the vast majority of U.S. House seats "unwinnable," as you say, for one party or the other. He's also proposed several innovative solutions that work in other nations, such as multi-member districts (which we used to have in the Florida legislature when I moved to the state in 1980) and preference voting.

It annoyed me that so many Florida incumbents in Congress were "elected" on that day in May when they filed for reelection and no one bothered to oppose them. In 2002, living in Davie, I got a ballot I had gotten several times in the past: there's not even a spot for the U.S. House race. You'd think at least you could vote for the incumbent or not vote for him or her. But Florida doesn't do that, and I find it sad.

As a hopeless candidate, I don't have to worry about fundraising, currying favor with anyone or avoiding saying what I think for fear of losing votes. It's an ideal situation in many ways.

FBR: You open Write-In with a frightening statistic: "Over 90 percent of Americans live in congressional districts that are essentially one-party monopolies." These monopolies are maintained though a variety of tactics and conditions: redistricting, voter apathy, and patronage, among others. How do parties establish these monopolies in the first place?

RG: Through the redistricting process, which is first and foremost incumbent protection and sometimes ridiculously partisan. I recall being in Fort Worth in 2003 while Tom DeLay was getting the Texas legislature to redistrict the Congressional seats in a naked Republican power grab. The Democratic legislators fled to Oklahoma and New Mexico to avoid the vote, but they couldn't do it forever and the GOP could gerrymander state to create several more Republican safe seats Of course Tom DeLay's own seat wasn't safe after he was indicted on corruption charges.

FBR: One of Write-In's real triumphs is your humorous handling of the surveys you received from all those special interest groups and organizations. When the first one landed in your mailbox—from Gun Owners of America—-you wrote, "Surveys from interest groups are fun to fill out and can help the campaign." Within two months "questionnaires [were] coming in at a rate of about one a day," many of them exhaustive and tedious. Right-leaning Eagle Forum, a group that opposes same-sex marriage (their website's mission statement proclaims "We support constitutional amendments and federal and state legislation to protect the institution of marriage and the equally important roles of father and mother," and “Eagle Forum successfully led the ten-year battle to defeat the misnamed Equal Rights Amendment with its hidden agenda of tax-funded abortions and same-sex marriages") bludgeoned you with 69 questions; when their final question asked you to describe how you'd "support traditional marriage," you answered, "Kill Liza Minelli." Why is same-sex marriage such a polarizing issue?

RG: I think it's fading a bit. In 2006, Arizona became the first state to vote against an anti-same-sex-marriage amendment to the state constitution after that issue seemed to work everywhere else.

I was shocked last month when Jeff Flake, the very conservative Arizona Republican I'm now running against-—someone with a very poor record on gay rights (organizations like the survey-happy ones you mention but on the left, like Human Rights Campaign, had consistently rated him a zero based on his votes)-—ended up as one of the 35 GOP House members to vote for ENDA, the Employment Non-Discrimination Act. Flake, a religious Mormon, said it was the hateful rhetoric against gay people that made him inclined to vote for the bill.

Now, I happen to be one of those happily single people who, like Ralph Nader, believe that same-sex marriage is a crafty plot to force us all of into matrimony and couplehood. I was 18 and hanging out in Greenwich Village the summer of 1969 during the Stonewall riots, and to some of us back then, the only advantage of being gay was that you couldn't get married.

But I support choice, and there are really good policy reasons that we need same-sex marriage. Teaching in a religious high school a couple of years ago in Phoenix, I discovered that just about all the kids, including the kind of straight jocks you'd think would be very homophobic, just couldn't understand why there isn't same-sex marriage yet.

This issue will eventually fade as an electoral hot-button; right now people are more interested in demonizing immigrants.

FBR: Which presidential candidate do you support for '08, and why? Who do you think has the best chance of winning?

RG: I have no preferences among the Democrats. Due to a staff mix-up, I am actually listed as a candidate for President in the February 5 Arizona presidential preference primary:

I'm where I was back in 1988, when I headed a political committee called Florida Democrats for Undecided. In the Florida primary that year, "uncommitted" was listed along with Michael Dukakis, Paul Tsongas, Jesse Jackson and the other candidates, and I was one of those championing the unsure and the uncaring. I got publicity in the Florida Times-Union and other state papers and got on several radio shows, like Debbie Elliott's show on WNWS in Miami. I think 2008 will be a Democratic year no matter who the presidential nominee is.

FBR: You've been politically active since you were a teenager in the 1960s. What first sparked your interest in politics?

RG: My parents and grandparents talked about it a lot, I guess. My grandfather Herb Sarrett had been a big supporter of Eugene V. Debs, the five-time Socialist candidate for President. I just found politics interesting. When I was in kindergarten, I wore a Stevenson/Kefauver button with pictures of the Democratic candidates. Elections seemed like a lot of fun. Despite its ostensible serious concerns, politics is basically a comic enterprise.

FBR: I was born in 1969, so my sense of an author's cultural influence might be highly romantic, but it seems that during the sixties an author's political perspective mattered on a broader level than it does today, particularly to college students. I don't think it's a coincidence that Kurt Vonnegut was one of the best-selling authors on college campuses during the late sixties and early seventies. It's doubtful that Slaughterhouse-Five influenced Melvin Laird's policies, but Vonnegut's anti-war message spoke directly to a large segment of the population. Mainstream journalists went to people like Vonnegut, Mailer and Heller for statements about the Vietnam War. Many outspoken authors were, I think, household names, literary celebrities, even to casual readers, the way David Sedaris and J.K. Rowling are today. Rowling has a huge cultural influence—the cape industry is booming, kids are chowing down booger-flavored jellybeans, fundamentalist campers roast marshmallows over burning copies of Order of the Phoenix, etc—but I can't imagine Time asking her or Sedaris to offer a perspective on Iraq. And if Time did ask, I wonder whether readers would notice or care. Did the era of best-selling-author-as-motivating-activist ever actually exist? If so, what factors have led to its demise?

RG: Probably the same cultural factors that have made serious literature a marginal enterprise. We do have celebrities testifying before Congress, leading antiwar rallies, taking up causes—but they are all performers, since nobody but other writers know who leading authors are.

The closest thing now is Obama backer Oprah Winfrey, who is important in literary circles because her Book Club can move a lot of units—the term younger writers in New York now use for what we used to call books.

The writer-as-candidate was less unusual in the 1960s: James A. Michener and Gore Vidal ran for Congress; Mailer and William F. Buckley ran for mayor in New York.

I loved Vonnegut from the afternoon when I was 16 and picked up a copy of Cat's Cradle at the Walt Whitman Shopping Center in Huntington, Long Island, but it had nothing to do with politics. I don't recall him being political. To be honest, I went to probably a hundred antiwar rallies and can't really remember any writers speaking. I didn't go to the Pentagon in 1967, but Mailer's The Armies of the Night is one of my favorite books, one I've enjoyed teaching.

Today nobody cares what fiction writers or poets or playwrights think about politics...or anything else. Arthur Miller is dead.

FBR: Has your activism informed your fiction writing?

RG: I wouldn't think so. But it has taken time from my production of short stories, so it's been a boon to lovers of good literature all over the United States. I can perform a civic service and please discerning readers of fiction at the same time.

FBR: Between a crushing teaching load (seven classes!), campaigning, and blogging regularly, where do you find time to write fiction?

RG: Well, the seven classes was a one-time thing, and I'll hardly be teaching much in 2008. But I write fiction only when I enjoy it. I wrote a lot of stories in the fall of 2004, when I was running the campaign in Write-In, had a job as associate director of student services at Nova Southeastern University's Shepard Broad Law Center and taught two undergrad classes at night.

Right now I've stopped writing fiction with no plans to go back to it. My last couple of books got some nice notices, but they didn't sell many copies—to put it mildly!—and, as at other times in my fiction writing "career," usually after a book comes out, I get discouraged and decide that nobody's interested.

I did not write any fiction for years at a stretch—for example, between 1991 and 1994, when I was studying at UF law school and beginning my faculty job there, and most recently between 2001 and 2003, my first years on the job as director of academic resources at NSU Law before I took a lesser position that freed up my time.

There's no point in writing fiction unless it gives me pleasure. For now, I don't have anything to say in the genre. With almost 300 published stories and a bunch of books, I've probably written enough bad fiction for this lifetime—as some perceptive critics have suggested.

That said, I probably will one day decide to write another story.

FBR: What unique political challenges did Florida face in 2004 that it still faces in 2008?

RG: Probably there are more challenges now. In 2004 the economy was good and growth was still vibrant. At the Center for Governmental Responsibility back when I worked there, Jon Mills and other and the state's other policy institutes were working on how to manage the phenomenal growth.

But in the year ending July 1, 2006, Florida slipped to the 19th-fastest growing state, a huge drop from the 9th-fastest growing the previous year. Retirees now are more likely to head for the Southwest, Georgia or the Carolinas. The insurance cost crisis didn't exist in 2004. With the mortgage crisis and housing industry in a recession, Florida's can't rely on growth anymore.

There are other problems. Florida's educational system never really caught up; I remember Gov. Bob Graham's goal from the early 1980s of getting us into the top quartile of states in education spending, but Florida never made it.

My own feeling is that the constitutional bar to a state income tax has been a real detriment to Florida. I once headed a state political action committee called Floridians for a Personal Income Tax that went nowhere.

But the weather's great and Florida is breathtakingly beautiful. That's why I plan to buy a condo in a Sunrise senior citizen community now that I'm age-eligible.

If you want to follow Richard Grayson’s current Congressional campaign, visit his blog. For more information on Grayson’s 2004 Congressional campaign, fiction writing, astrological sign, favorite musicians and movies, and to see how much he has in common with Spiderman, visit: http://www.myspace.com/Richard_Grayson or http://www.richardgrayson.com/

Tom DeMarchi, Director of the Sanibel Island Writers Conference, lives and votes in Fort Myers, Florida

* * *

For those interested, here are the results of the 2008 Arizona presidential preference primary, according to Wikipedia:
Arizona Democratic presidential primary, 2008[2]
Candidate * Votes * Percentage * National delegates[3]
Hillary Clinton 229,501 * 50.37% * 31
Barack Obama 193,126 * 42.39% * 25
John Edwards 23,621 * 5.18% * 0
Bill Richardson 2,842 * 0.62% * 0
Dennis Kucinich 1,973 * 0.43% * 0
Sandy Whitehouse 632 * 0.14% * 0
Christopher Dodd 484 * 0.11% * 0
Edward Dobson 398 * 0.09% * 0
Mike Gravel 340 * 0.07% * 0
Richard Grayson 322 * 0.07% * 0

Saturday, January 19, 2008

Kirkus Discoveries reviews Richard Grayson's WRITE-IN: DIARY OF A CONGRESSIONAL CANDIDATE IN FLORIDA'S FOURTH CONGRESSIONAL DISTRICT

Kirkus Discoveries has reviewed Richard Grayson's WRITE-IN: Diary of a Congressional Candidate in Florida's Fourth Congressional District:

WRITE-IN
Diary of a Congressional Candidate in Florida's Fourth Congressional District


Author: Grayson, Richard


Review Date: JANUARY 18, 2008
Publisher:Dumbo Books
Pages: 128
Price (paperback): $9.95
Publication Date: February 22, 2007
ISBN (paperback): 978-0-6151-4111-4
Category: AUTHORS
Classification: NONFICTION

A witty campaign diary by a wannabe Congressman far too clever to ever be elected.

In the spring of 2004, Grayson announced (mainly to himself) his bid to unseat the firmly entrenched Republican incumbent in Florida’s fourth Congressional district. Grayson’s long-shot run was made even longer by a number of factors: First, a South Floridian, Grayson had neither the time nor the money to travel to the Florida fourth, located on the Georgia border. Second, unable to afford the $9,000 filing fee, he could only run as a write-in candidate. Third, he was a gay, pro-choice, anti-war, anti-death-penalty liberal running for office in the state’s most conservative district. These insurmountable challenges—and the biting humor with which Grayson faced them—led one sympathetic journalist to call him “every seasoned politician’s worst fear: a verbose, unknown, unrestrained, write-in mock-challenger.” Grayson chronicled his efforts as a “mock-challenger” in a series of postings on McSweeney’s Internet Tendency website, and here he collects these postings in a slim, delectable volume. The author’s wry deadpan punctuates almost every entry, and his commentary is equal parts funny, sad and true. He benefits as much from his own droll intelligence as from the fact that American politics seem to have devolved into a theatre of the absurd; some of the best laughs come from Grayson’s merely transcribing passages from election questionnaires, publicity packets and political journalism that he encounters during his “campaign.” Nonetheless, the critique of election politics that his run represents is as hilarious as it is completely legitimate; gerrymandering and the incredible advantages of incumbency have resulted in a system where challengers for U.S. House seats—both “mock” and real—are defeated the vast majority of the time. And after reading this, one is left with the sinking feeling that even a thousand Graysons might never change this broken system.

Funny and devastatingly incisive.

Wednesday, October 3, 2007

Geoffrey Philp: A Conversation with Richard Grayson

At his blog today, the great Miami-based Jamaican-American author Geoffrey Philp interviews Richard Grayson.

Monday, April 9, 2007

Askew Reviews reviews Richard Grayson's WRITE-IN: DIARY OF A CONGRESSIONAL CANDIDATE IN FLORIDA'S FOURTH CONGRESSIONAL DISTRICT


Askew Reviews has a review by Dennis Sheehan of Richard Grayson's WRITE-IN: Diary of a Congressional Candidate in Florida's Fourth Congressional District:

Richard Grayson is your average Joe who works for a living, enjoys music, and decides to run a write in campaign for Congress against an uncontested, popular incumbent Republican, Ander Crenshaw. Richard has no campaign dollars and no endorsements, but he has balls large enough to fight for what he believes is right and the guts to do something about it. The diary chronicles Grayson's campaign run from May 7, 2004 to Nov. 3, 2007. Grayson details several interviews he granted, the dealings with obnoxious surveys by nationwide political groups, and the coincidences of several political appointments of Crenshaw's staff. Along the way, Grayson also dives into the 2000 Presidential election, some personal life stuff, and thoughts on various social issues.

Richard Grayson is a Democrat's Democrat and whether you agree or disagree with his views, you have to admire his running for office against a very strong candidate. Political junkies will enjoy the easy flow of the book and the "normal" account of running for elected office. Republicans will throw their arms up in the air with Grayson's thoughts, but also gloat in his loathing over what happened with the national and Florida state elections in 2004. Dems will cheer on Grayson and agree 100 percent with his hatred and annoyance with the opposite party. Personally, I enjoyed the read and found it magnificently interesting, but some of his writing is a bit whiney in a sore loser kind of way. Concerning the results of the 2004 national and Florida state elections, Grayson writes "The people have spoken, the subhuman douche bags." The fairly large text font and paragraph spacing makes for a quick read, but Grayson minces no words and has a lot to offer in the 105 pages.

Monday, December 11, 2006

Matt Bell reviews Richard Grayson's WRITE-IN: DIARY OF A CONGRESSIONAL CANDIDATE IN FLORIDA'S FOURTH CONGRESSIONAL DISTRICT

Matt Bell reviewed Richard Grayson's WRITE-IN: Diary of a Congressional Candidate in Florida's Fourth Congressional District on his blog on December 4, 2006:

In 2004, Richard Grayson (author of With Hitler in New York and And To Think He Kissed Him on Lorimer Street) ran as a write-in Democratic candidate for the U.S. House of Representatives against a firmly entrenched Republican incumbent. His opponent, Republican Representative Ander Crenshaw, is almost abstract in his role as antagonist, having enough funding, support, and staff that defending his seat barely requires he even take notice of Grayson, who has no staff, no funding, and, at least, initially, no support. It's to Grayson's great credit that although he always knows what the outcome will be in his race for the House, he still puts an admirable amount of effort and time into reaching each potential supporter he comes across.

Grayson originally chronicled his race online for McSweeney's Internet Tendency (where you can still read the entire manuscript), and has republished his diary in book form. Here's an excerpt from the first entry from Grayson's book:
I'm the only registered Democrat in the race. But, unable to afford the nine-thousand-dollar filing fee to get the official party designation, I'm a write-in candidate. Under Florida's bizarre election laws, write-in votes count only if they're for "qualified" candidates like me.

If I weren't a candidate, Congressman Crenshaw's name wouldn't be on the November ballot. There just wouldn't be an election. Four of Florida's twenty-five House members were elected this afternoon when they did not get a primary or write-in opponent.

Over 90 percent of Americans live in congressional districts that are essentially one-party monopolies. Of Florida's twenty-five House seats, seven are safe for Democrats, and sixteen are safe for Republicans.

The Fourth is the most Republican district in the state. But I'm hoping to give anyone opposed to Crenshaw's positions a chance to vote for someone else.

In the last Congress, Crenshaw voted for more Bush tax cuts and the war in Iraq. He supported oil development in the Arctic National Wildlife Refuge, limiting the Patients' Bill of Rights, and banning "partial-birth" abortion. Crenshaw voted against campaign-finance reform.

As of March, his campaign committee had $612,691 in cash.

Mine had bupkis.

Grayson writes with a self-deprecating wit and a keen eye for the realities of both our overall political situation and that of Florida's Fourth District, where his campaign takes place. Times move fast, and after the semi-uplifting Democratic victory this past November, it may be hard to remember exactly how bleak things felt for progressive or Democratic voters in late 2004, but Grayson's diary, written in the heat of the moment, manages to chronicle not only the desperate backdrop of that election but also the awakening sense of progressive community that was nearly destroyed by the spirit-crushing reelection of George W. Bush and his Congress. Grayson writes much like he ran for the House, in that he isn't so much trying to convert us as voters as much as he is trying to show us that we do still have options when he vote, despite what our political situation seems to allow.

When asked what he'll do to support traditional marriage, Grayson says he'll kill Liza Minelli. His favorite part of living in Florida's beautiful Fourth District? "The hurricanes." He tells the same reporter that he's "too lazy to be in Congress," because "it's a lot of work." Openly transgressive when answering reporters and filling out lobbyist group questionnaire, Grayson couches every answer in a wit that's as cynically sarcastic as it is big-hearted, leading to the confusion of his interviewers and friendly recognition on the part of this reader, whose contradictory feelings of cynicism and optimism from 2004 were both crushed and vindicated by the final results of that election.

Clocking in at just over one hundred pages, Grayson's Diary of a Congressional Candidate in Florida's Fourth Congressional District is a deceptively quick read. Still, it's bigger than it looks. I finished the book in a single evening, but have found myself returning to it to enjoy not only the absurdity of the political situations but also the fine humor of Grayson's prose and the sense of comradery that permeates every page. He so openly shares the details of his ironic, winking candidacy that it's impossible not to cheer him on. Towards the end, a voter writes Grayson a letter thanking him for trying that the voter signs "your constituent," a sentiment that I too felt by the time I turned the final page. Although Grayson lost the race, his book tells it like a victory march, celebrating every small triumph won against impossible odds.

I couldn't agree more.

Sunday, September 17, 2006

Blogcritics.org Reviews HIGHLY IRREGULAR STORIES by Richard Grayson

On September 16, 2006, Nancy Gail reviewed Highly Irregular Stories for Blogcritics.org:

Highly Irregular Stories is an anthology of four Richard Grayson chapbooks. Although not for every taste, selections are intriguing enough to keep the reader turning pages until the end.

"Inside Barbara Walters" examines what might have happened if a young girl had not had a flash of inspiration when it came time for show-and-tell in second grade. Having left her stamp collection at home, young Barbara reached into her backpack and grabbed her Curious George book. After that, all she had to do was mention her interest in reading and the day was saved.

"Progress" takes the relationship between a young man and a stranger and brings it full circle. Ricky is prevented from buying the wrong shirt in Bloomingdale's and ends up going home with Eric Cornell. While Eric fixes dinner for the two of them, he suddenly remembers a neighborhood association meeting he must attend. For some reason, he has gotten himself named in charge of the tree parent committee. Ricky is left at Eric's place to fend for himself. When Ricky calls a pharmacy for a sleep aid, a young teenager named Rico delivers it.

"17 Fragments in Search of a Story" is exactly what the title implies. An author talks about himself and the book he is trying to write in 17 parts. While there is a natural flow to the sections, the ending is not one readers are going to forget.

"Eating at Arby's" was the longest selection and the one I liked least. A retired couple moves to Florida (where else?) and discovers life is not quite what they imagined. In a bizarre move, Grayson takes their day-to-day banter and turns it into an irritating form of repetition. It makes the two main characters sound like idiots. However, I found the reference of wanting to take a trip to Columbia amusing.

"The Governor of the State of Depression" looks into the life of a politician and shows the glamour of a life in public office is not always what people think.

Grayson is hardly a typical author. He takes real life issues in society and uses them freely in every story he writes. With the varied selection, readers will find at minimum one thing they like even if they consider the rest to be junk.

Sunday, May 28, 2000

Fort Lauderdale Sun-Sentinel reviews Richard Grayson's THE SILICON VALLEY DIET


In today's book review section, The Sun-Sentinel of Fort Lauderdale reviews Richard Grayson's The Silicon Valley Diet:

The (Fort Lauderdale) Sun-Sentinel (May 28, 2000):


Snapshots of modern humanity

By PAT MACENULTY


THE SILICON VALLEY DIET AND OTHER STORIES. Richard
Grayson. Red Hen Press. $14.95.


Most readers will find something familiar in the ninth collection of short stories, a paperback original, by the Fort Lauderdale author and college instructor Richard Grayson.

I, for one, enjoyed revisiting my old stomping grounds of Plantation and Tallahassee, and being reminded of the taste of croissants from Zabar's in Manhattan. I nodded as I read Grayson's renditions of the daily dramas that unfold in e-mails, the concerns with what we eat, the trauma of teaching community college students to write five-paragraph essays and the quest for good, if not always true, love.

Gay readers will most likely appreciate the affectionate and funny portrayals of gay men in tender and troubled relationships. Straight readers shouldn't have any problems identifying, either. All the protagonists in these stories seem to be looking for the kind of lifelong commitment that Mom and Dad embodied.

Although memorial services for young men seem commonplace in Grayson's fiction, the stories are not tragedies. They serve up slices of life as we know it right here and now with hate crimes, weight worries and easy money for Internet whizzes.

Structurally, the stories do not provide traditionally rendered scenes, and they don't move linearly along from point A to point B to point C and so on. Many of them are broken up with italicized passages that serve as a counterpoint to the narrative. I like stories that bring disparate ideas together, but occasionally when reading them en masse, the technique becomes superfluous.

That small quibble aside, let me say that the stories overall are funny, intelligently written and original. "Spaghetti Language" mixes the narrator's love for a dead grandfather, a friend's beautiful 4-year-old child, and his lover, Terence, a gorgeous, tall, young black man who appears in several stories with learning computer programming language. There is a connection.

"Boys' Club" drops the reader smack dab into the lives of a gay punk band. This is probably the most traditional story and my favorite. The narrative voice is so authentically young and misunderstood and rebellious and poignantly philosophical: "Anarchism doesn't only mean destroying the government. It could
also mean destroying the forces dictating how people have to live. It was more acceptable to be out in the punk scene than in mainstream music culture even before you were able to slam around with other boyfags in lingerie."

Grayson's writing is full of delicious nuggets. Here's an insight in the title story about the narrator's hunt for a meaningful relationship: "I'd long ago given up going to slaughterhouses and trying to approach aspiring Abercrombie & Fitch catalog models emitting radiation from isotopes of unobtainium. After enough `access denied' messages, you don't want to do anything but log off."

Other cool stories include "Those Old Dark, Sweet Songs," about the narrator's complicated relationship with Terence; "The Five Stages of Eating at Cuban-Chinese Restaurants," in which Terence breaks up with the narrator; and "Anything but Sympathy" about a 30-year-old man's first relationship with another man.

These stories accurately capture snapshots of our culture at a very interesting moment. The Silicon Valley Diet and Other Stories sets out to prove we haven't really lost our humanity under the deluge of technology. And we probably never will.

Pat MacEnulty, a former promotional writer for the Sun-Sentinel, is a short-story writer and freelance fiction editor in Charlotte, N.C.

Thursday, January 1, 1998

Richard Grayson's Boca Raton News Op-Ed Column Advocates Ending Florida's Ban on Adoptions by Gay Parents


Richard Grayson has an op-ed column in the Boca Raton News today (Thursday, January 1, 1998), "Florida Must Move Forward in Gay Adoption Laws," advocating the end of Florida's law to ban gay people from adopting children.

Saturday, August 29, 1987

Richard Grayson's Funhouse column in the Hollywood Sun-Tattler reports on advertisers' boycott of Florida



Richard Grayson's Funhouse column in the Hollywood Sun-Tattler today (Saturday, August 29, 1987) reports that Florida's new tax on advertising has spurred a boycott that yields an unintended benefit for Sunshine State residents.

Saturday, August 15, 1987

Richard Grayson's Funhouse column in the Hollywood Sun-Tattler warns: "Florida, Don't Be Surprised to Be Sued for Your Sunshine"



Richard Grayson's Funhouse column in the Hollywood Sun-Tattler today (Saturday, August 15, 1987) warns: "Florida, Don't Be Surprised to Be Sued for Your Sunshine."

Tuesday, July 31, 1984

MIAMI SOUTH FLORIDA MAGAZINE Reviews Books by Richard Grayson

MIAMI SOUTH FLORIDA MAGAZINE is featuring an article on Richard Grayson on page 32 of its current (August 1984) issue:

CUTTING EDGE

Richard Grayson is a young writer who experiments with the short story form. His stories don't necessarily have the traditional beginning, middle and end. Some are extremely brief but intense sketches. Some jump radically in time or place. Others are stories in the form of notes, questionnaires and interviews. They are all stories which uncover a person who must deal with the shallowness, anonymity and pain Grayson finds in today's life. Grayson deals with that subject with poignancy and humor.



A four-year resident of South Florida, Grayson lives in North Miami Beach, teaches English at Broward Community College in Davie, and has had more than 125 stories published, most in exceedingly outre magazines. Some of these stories have been compiled in three hardcover books. Others are gathered in two chapbooks, which are thin, softcover collections. His latest publication, I Brake for Delmore Schwartz (Somerville, Mass., Zephyr Press, 1983) contains, paradoxically, much of his earliest work. In many of these stories, he deals with his personal vision of his Jewishness. His characters face loneliness and alienation with little loving absurd gestures. "Reluctance," the opening story, is about the love he felt for, and the pain he caused, his great-grandmother. "She told me," he writes, "she would make cookies when my own son was born, and when I said that would never happen, she just grabbed me up to her mammoth breasts and shook me until I laughed and said okay, I will have a son."

"By now," claims Grayson, "I've forgotten which work is autobiographical. Some of it is."

He also plays with perception, challenging the way we take the appearance of things for reality. "One of my feelings is that we live in a time when the perception or the so-called appearance of things is more important than what is real. Good writers always challenge our society. I hope to get people stirred up and even angry and outraged," he says. "I don't like telling people what they want to hear because they get enough of that on television."

And he does outrage, especially in his "press releases," a black comic part of his fictional work. As part of his experiments iwth perception and the way the media shapes ours, Grayson sends out press releases for his make-believe organizations like Future Fetuses of America and The Devil Broadcasting Company, which has "non-programs" like Satan Place, Route 666, and I Love Lucifer. He and his mother ran as delegates to the Democratic Convention on the platform of the Committee for Immediate Nuclear War. The publicity they received via the press releases garnered the pair more than 10,000 votes.


The surrealist Latin American writers Gabriel Garcia Marquez and Jorge Luis Borges are his literary models, so it is not surprising that Grayson produces such stories as With Hitler in New York (New York: Taplinger Publishing Company, 1979). He portrays Hitler as nothing more than an ordinary, likeable person with ominous undertones to his personality, thus asking and telling the reader how Hitler was able to reach his stats in the first place.

What makes Grayson's work outstanding, though, is that he mixes conventional narrative styles and subject matter with experimental games and unconventional material.

True, some of his experiments don't work, such as the tiresome and cliched Eating at Arby's (Brooklyn, NY: Grinning Idiot Press, 1982) but when I read the opening lines to the title story of his latest book, I know I am communicating with a person who is not afraid of looking down toward reality:

"Sometimes when I wake up in my loft bed in the mornings and I see the bars on the windows, I remember I am in prison. I try to feel repentant for the awful crimes I have committed, but then I remember that this memory is a false one and that the bars on my windows are only to protect me from other people . . . . Other times I decide that I really am in prison."

---Ann Reaben Prospero

________________________________________

Richard Grayson at Waldenbooks, Books & Books, 296 Aragon Avenue, Coral Gables, and Bookworks, 6933 Red Road, South Miami.

Saturday, June 4, 1983

Gargoyle Magazine reviews Richard Grayson's EATING AT ARBY'S: THE SOUTH FLORIDA STORIES


The Washington, D.C.-based literary magazine Gargoyle reviews Richard Grayson’s Eating at Arby’s in issue 22/23 (1983):

___________________________________________
Eating at Arby’s: The South Florida Stories,
by Richard Grayson, Grinning Idiot Press,
P.O. Box 1577, Brooklyn, N.Y. 11202,
1982, 24 pp., $3, saddle-stitched.
___________________________________________



In this short collection, Richard Grayson has found a style of daffy unreality to make his experience of anomie in South Florida. In one-page vignettes, he writes of such diverse subjects as Haitian refugees, Cubans, Blacks, gays, “crackers,” old people, and the proliferation of malls, guns and Colombian dope through the eyes of a Looney Tunes duo, Manny and Zelda. They and their friends talk in Dick and Jane sentences about these subjects. Always they react with zany blankness, sometimes with hilarious “logic,” as in this example:
“Guns can be fun,” said José. “Guns can be fun and help you if you own a clothing store like I do . . . Guns can be your friends.”

“It is important to have friends here in South Florida,” said Zelda. “Manny, I want to shoot that gun. That gun will become our friend, just like José is our friend.”

“Nuestro amigo,” Manny said, as José handed him the gun.


Some pieces zing, as “A Long Boat Ride,” in which Manny mistakes Haitian refugees for newly arrived tourists. Correcting him, Zelda says:
“Soon they will be happy. . . Now that they are in South Florida, they will be very happy."

“Everyone is happy here,” said Manny. “. . . Let’s make friends with those Haitian refugees. Let’s take them with us to eat brunch at the Rascal House.”

“Oh Manny!” cried Zelda. “You are so silly. Haitian refugees do not come here to eat brunch at the Rascal House. They come here for freedom. You cannot get freedom at brunch at the Rascal House.”

Other piece deliberately court banality, as in “At the Beach,” where Chip says:
“. . . It is beautiful here. . . My gay friends and I like it very much. We have fun here. People are nice. The weather is good. We can enjoy the beach and make friends.”

The repetitious style of first-grade primers is surreal; its deliberate flattening suggests vacancy, diminution. Words like “nice,” “happy,” “fun,” clone themselves with dizzy inarticulateness. The satirist’s spleen, though clearly present, is muted. The grand style as in Swift is here deliberately monochrome and reductionist. There’s a buttoned-down quality, a muffling, even evisceration of content in places. Grayson’s too hip, maybe too pessimistic, to breastbeat. For his method, he appears to have taken literally, for humorous effect, a quotation from Emerson:
“Do not craze yourself with thinking, but go about your business. . . Life is not intellectual or critical, but sturdy. Its chief good is for well-mixed people who can enjoy what they find without question.”

And of course Zelda and Manny do just that. The vacation mentality, the weather, the wardrobe choices (“I like to see people wearing pink pants and white shoes”)—all point to a dreamland emptiness gussied up—or down, in Graysonstyle—as if for the Saturday morning cartoon crowd. It’s a method of despair.

Grayson’s deliberate lightness, though, is flawed by the final “Some Sad News,” where we learn José has been murdered. Though “murder is not fun”—virtually the only thing Manny and Zelda say isn’t fun in South Florida—the heavy-handedness spoils the Disneyland feeling. I would have preferred to have the collection end with the wonderful “A Chanukah Party.” A skewed United Nations gathers at Manny and Zelda’s: Bob the bisexual (who says he’s not bilingual), José the Cuban, Chip the gay, gramps and grandma, and Lois, the black chiropractor from Liberty City who wears Sasson jeans. Lois brings Hassan, her Palestinian friend, to the Chanukah party. Zelda says:
“You will be our Palestinian pal, too.”
“Thank you, Zelda,” said Hassan. “I will be glad to be your pal. I like your Sasson jeans and the food you have brought in from Arby’s.”
Zelda smiled. “In South Florida we are all friends. We are lucky to be here. We have malls and condos and happy, friendly people.”
“I love it here in South Florida,” said Manny. “Every day is like a Chanukah party here.”

Much current writing is decidedly casual. Big deals are out. This is an age of burnout. Grayson follows this trend here with his stylish vacancy, his deadpan blankness. Moreover, the discontinuities that flourished in her earlier fiction are tethered down here. Eating at Arby’s is a seamless collection of virtually the same encounter repeated eighteen times—the two innocents making happy-face babble as if they’re playing dolls. (Maybe the repetition of the encounter itself is a discontinuity, one which suggests hopeless stall.) Reading this collection is a little like finding Clark Kent when you’d hoped for Superman. Eating at Arby’s goes down easy: it entertains, it disturbs, but not too much. It’s a little like a sitcom, where the same joke gets repeated week after week. You like it but you look around uneasily and say, is this all?

—Maryl Jo Fox

Sunday, October 17, 1982

Miami Herald reports on Richard Grayson's $3000 Florida Arts Council grant to write EATING AT ARBY'S



The Miami Herald today (Sunday, October 17, 1982) reports on Richard Grayson's $3,000 Florida Arts Council grant to write Eating at Arby's: The South Florida Stories.

Wednesday, April 1, 1981

Delray Beach News-Journal Reviews Richard Grayson's WITH HITLER IN NEW YORK


Today's Delray Beach News Journal (Wednesday, April 1, 1981) has a review of Richard Grayson's With Hitler in New York:


Book review

WITH HITLER IN NEW YORK.
By Richard Grayson. Taplinger, 1979.
$7.95, 190 pages.


By Jack Saunders

Hannah Arendt wrote a book called The Banality of Evil. Or she wrote about the concept "the banality of evil" in her book Eichmann in Jerusalem. I don't remember. The phrase has entered the language. Like the phrase "The Ugly American" entered the language – backwards. Facts are banal. Evil is banal. Hitler is alive and living in New York.

With Hitler in New York, by Richard Grayson, is a collection of stories about what people do in this country: watch television, eat junk food, go to art museums, visit nursing homes, go to psychiatrists. With Hitler in New York is a serious book. A funny one too.

When a radio station in New York read over the air the names of men who had been picked up for patronizing prostitutes – the so-called john list – Grayson called the station and turned himself in. He wanted his name read "before I strike again."

These stories strike like lunacy.

If your bookstore doesn't have this book, it's available from the publisher (Taplinger Publishing Company, 132 West 22nd Street, New York, N.Y. 10011) for $7.95.

Grayson, who lives in his parents' spare room in Davie, just outside Ojus, doesn't have any, having given all his complimentary author's copies away.

I read a review that compared Grayson to Steve Martin and Fran Leibowitz. I'd compare him to Franz Kafka. No, I'd compare him to Nathanael West.

Man, this guy can write.